This is the book that marked the emergence of an up-and-coming art critic who realistically explained contemporary American art after the Second World War through his interactions with Jasper Johns and many other artists. Here, he takes up European art by Bosch, Goya, Max Ernst, Paul Klee, Dali, Gaudi, and others, and it is refreshing to read his unique perspective.
東野芳明 Yoshiaki Tono Bijutsu Shuppan-Sha 1976 20.9 x 15.2 x 1.9 cm 220 pages
