Explores the political and aesthetic dimensions of Lissitzky's late multimedia work, from the design of the "Abstract Cabinet" to his death in 1941. The exhibition focuses on his collaborations with German and Soviet photographers, designers, and filmmakers. Includes correspondence with Lissitzky's wife and Western European colleagues, making this an excellent resource for Lissitzky research. His experiments in photography, photomontage, graphics, and exhibition design during the 1920s and 1930s have never been documented and thoroughly analyzed.
Margarita Tupitsyn Yale University Press 1999 30.3 x 24.7 x 2.9 cm 239 pages
