Society of the Spectacle
Society of the Spectacle
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Society of the Spectacle
1968年の5月を中心にその前後のフランスでの学生、若い労働者などによる争乱は、"May 68"(日本では「五月革命」)とも言われてきた。同年3月に起きたパリ大学ナンテール校の学生による占拠に始まる活動ともシンクロした非日常と文化を結ぶ役割を果たした前衛的な芸術活動ネットワークの「シチュアショニスト・インターナショナル」。
その中心人物のギイ・ドゥボールが書いたSociety of the Speatacle(邦題「スペクタルの社会」がこの本である。
彼らは、芸術・文化領域で、急進的な詩、映画、絵画の表現や政治理論を展開した。主題となる「スペクタクル」が示すものは、メディア、消費社会、文化、科学などの様々な事象やものと人間がとり結ぶ諸関係が、物象化のように人間に支配的に立ち振るまうことである。
既存のマルクス主義が、高度資本主義に対応できなくなるのに対して、別の角度からの視点と方法を生み出した画期的なものである。
The uprisings by students, young workers, and others in France around May 1968 have been called the May Revolution and the May Crisis. The Situationist International, a network of avant-garde artistic activities, can be said to have played a role in connecting culture with the extraordinary in a kind of cultural revolution that was synchronized with the activities that began with the student occupation of the University of Paris Nanterre in March of the same year.
"Society of the Speatacle," written by its central figure Guy Debord, is the book.
They were radical in the artistic and cultural spheres, and developed their expression and political theory in poetry, film, and painting. The "spectacle" of the subject matter indicates that the relationships that humans have with various events and things, such as the media, consumer society, culture, and science, stand dominant over humans in the manner of materialization.
This is a groundbreaking work that creates a different angle and method to the existing Marxism, which is no longer able to cope with advanced capitalism.
Guy Debord
Black and Red
2005
21.5 x 13.4 x 0.8 cm
without pagination
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